Hi, Friends,
Another fun class with you today. Cool to begin going down the road of hearing chord progressions by 'listening down' to bass lines and also by hearing how chords relate to one another in terms of tension and release. Tomorrow, you will start working through the Ableton Live set made up of 8th note slices from Sara Bareilles's 'Uncharted'. Although I hope you have fun playing around with the 8th note slices in an improvisatory/chance way, I also want you to try to create 1 and 2 measure loops that are based on the theory of chord progressions as explained in class today and also in Chapter 2 of Hooktheory. That said...
Your assignment tonight is to read Hooktheory, Chapter 2, being sure to pay attention to all listening examples. There "may or may not" be a quiz on the concepts introduced in the chapter which I 'may or may not' assess through the work you do with the 'Uncharted' slices.
Looking forward to class tomorrow!
Another fun class with you today. Cool to begin going down the road of hearing chord progressions by 'listening down' to bass lines and also by hearing how chords relate to one another in terms of tension and release. Tomorrow, you will start working through the Ableton Live set made up of 8th note slices from Sara Bareilles's 'Uncharted'. Although I hope you have fun playing around with the 8th note slices in an improvisatory/chance way, I also want you to try to create 1 and 2 measure loops that are based on the theory of chord progressions as explained in class today and also in Chapter 2 of Hooktheory. That said...
Your assignment tonight is to read Hooktheory, Chapter 2, being sure to pay attention to all listening examples. There "may or may not" be a quiz on the concepts introduced in the chapter which I 'may or may not' assess through the work you do with the 'Uncharted' slices.
Looking forward to class tomorrow!
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